ARLT

The Association for Latin Teaching

respice prospice

 RESULTS

2010

2011

2012

2013

2014

2015

2016

2017

2018

   We were delighted to receive 51 entries for this year’s competition from 15 schools – record numbers for the competition! We were also very impressed with the high standard of entries, particularly in the Junior section, and we commend students and teachers for the hard work that had clearly been put in to prepare the readings. The passages, being quite long, present a challenge to readers and need thorough rehearsal before recording.

The best entrants read with no hesitations or stumbles at all, setting the bar very high. Generally candidates pronounced the sounds of Latin well, and we were particularly impressed with Ffion Shute’s nasalised final –m, which is often not observed by English readers. Both passages allowed for some very dramatic moments, and some entrants threw themselves into a spirited rendition and conveyed the emotion very well indeed.

Suggestions for improvement:

Given that the focus for this year was quantities, we were a little disappointed at how many errors were made with long and short vowels, as this is germane to the correct pronunciation of Latin. (I apologise for the omission of the macron on the ‘o’ of ‘clamore’. Well done those who ignored me and read the word correctly in any case!).

Occasionally English vowels slipped in, particularly English ‘yew’ for ‘u’! This was particularly noticeable with names (Die-do for Dido, Die-ogenes for Diogenes).

There also seems to be some uncertainty about the accentuation of words: the accent in Latin goes on the penultimate syllable if this is 'heavy' or long, and the antepenultimate if the penultimate is 'light' (short). This needs to be observed even when reading poetry. Most Latin poetry when read aloud exhibits a tension between the word-stress and the verse ictus, a 'beat' falling in hexameter verse upon the first syllable of the foot.

Elisions in poetry can be difficult to deal with, and we suggest that they are not made mechanically when this interferes with the sense or phrasing of the words. For example, it seems better to pronounce both syllables in ‘tandem his’, ‘etiam hiberno’ and ‘ego has’. There is rich evidence that the Romans did not fully elide, i.e. drop, final long vowels but shortened them (correption).

Another challenge in poetry is when enjambment occurs between lines of poetry. Very many candidates observed it very well, but some showed their uncertainty about the meaning by failing to make appropriate enjambement.

We would encourage teachers and candidates to listen to the winning entries to get an idea of the standard that can be reached. Please do continue to enter in future years!

Adjudicators: John Hazel,  Hilary Walters


Junior Text


Cambridge Latin Course Stage 17 p78-79 ‘tumultus II’

lines 9-28 (‘faber per fenestram ... te defendebat.’)

http://www.cambridgescp.com/singles/expall2/expnew.html?fn=ets2uk19&mn=261825

ARLT Latin Reading Competition

 2018 - results

Senior  Text


Virgil, Aeneid, 4.296–319


at rēgīna dolōs (quis fallere possit amantem?)

praesēnsit, mōtūsque excēpit prīma futūrōs

omnia tūta timēns. eadem impia Fāma furentī

dētulit armāri classem cursumque parārī.

saevit inops animī tōtamque incēnsa per urbem         300

bacchātur, quālis commōtīs excita sacrīs

Thӯias, ubi audītō stimulant trietērica Bacchō

orgia nocturnusque vocat clāmore Cithaerōn.

tandem hīs Aenēān compellat vōcibus ultrō:

‘dissimulāre etiam sperāsti, perfide, tantum               305

posse nefās tacitusque meā dēcēdere terrā?

nec tē noster amor nec tē data dextera quondam

nec moritūra tenet crūdēlī fūnere Dīdō?

quīn etiam hībernō mōlīrī sīdere classem

et mediīs properās Aquilōnibus īre per altum,             310

crūdēlis? quid, sī nōn arva aliēna domōsque

ignōtās peterēs, et Trōia antīqua manēret,

Trōia per undōsum peterētur classibus aequor?

mēne fugis? per ego hās lacrimās dextramque tuam tē

(quando aliud mihi iam miserae nihil ipsa relīquī),       315

per cōnūbia nostra, per inceptōs hymenaeōs,

sī bene quid dē tē meruī, fuit aut tibi quicquam

dulce meum, miserēre domūs lābentis et istam,

ōrō, sī quis adhūc precibus locus, exue mentem.

Senior section:

1. Esme Sayal

Nottingham Girls’ H.S.

m4a

2. = Garance Levy

Liverpool Bluecoat School

mp3

2. = Duncan Tarboton

Tiffin School

m4a

Highly commended

Katie Cowan

St Andrew’s School


Kae Kaneko

NLCS Jeju


Tess Mitchell-Thomas

Nottingham Girls’ H.S.


Ellie Smyk

Bristol Grammar School


Intermediate Section

1. Tom Fox

Landmark International

m4a

2. Karen Guo

Independent candidate

mp3

Highly commended

Kimberley Cota

Liverpool Bluecoat School


Deniz Rad

Liverpool Bluecoat School


Euan O’Connor

Tiffin School


Junior section

1. Olivia Gregg

Chelmsford County H.S.G

mp3

2. = Angelina Seo Yeon Lee

NLCS Jeju

m4a

2. = Hyeseung Jeong

NLCS Jeju

m4a

3. Ffion Shute

Independent candidate

mp3

Highly commended

Teigue Bromham

Landmark International


Chaeghang Jeong

NLCS Jeju


Georgiy Lesyuk

Tiffin School


Adam Rashid-Thomas

Bristol Grammar


Emilia Stephenson

Liverpool Bluecoat  School


Will Tillotson

Tiffin School


Adjudicators’ report: